A large feature wall or fireplace, for example, should be about 40 percent of the room. Furniture should take up no more than 60 percent of the room as a whole and no more than 60 percent of the floor space. Less than 60 percent and your room will feel sparse and incomplete.
More than 60 percent, and the room will feel crowded. Hit that 60 percent mark, and the room will feel just right.
Furniture paired with other furniture also needs to fit the ratio. When you pair two chairs with a table, the table should be no more than 40 percent of the grouping. Furniture best relates to large accents like a rug when the rug takes up about 40 percent of the space taken up by the furniture, or vice versa.
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Smaller accents like books, plants, lamps, and even electronics like TVs should take up no more than 40 percent of the furniture they sit on. All interior design elements have an interplay. Now that you understand the basics, however, you will begin to notice how your colors and patterns, architecture, furniture, and accents work together in all of your room stylings. Long legs give us energy-saving leverage and allow us to travel long distances at high speed. Walking upright makes us human. And yet — there is a formula that lies even deeper than the golden ratio.
In the year , Italian mathematician Leonardo Fibonacci noted a sequence of numbers that follow a particular logic.
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The sum of the two previous numbers always gives the next one: 1, 1, 2, 3, 5, 8, 13, 21, 34 and so on. If you divide a number by the next lowest, the result comes closer to a rounded 1. Just a gimmick? Absolutely not. Walk through a garden sometime. You will see buttercups with five petals, larkspurs with eight, marigolds with 13, asters with The leaves are always arranged at the golden angle of This arrangement ensures that no leaf obscures another and each one receives as much light as possible.
The scales of pineapple fruit, romanesco and pine cones are arranged in a spiral pattern, as are the kernels of sunflowers.
How to Use the Golden Ratio to Create Gorgeous Graphic Designs
The number of left and right curving spirals in a fruit corresponds to two consecutive Fibonacci numbers — and of course, they also curve at the golden angle. Just like nautilus shells, snail shells, cyclones and spiral galaxies. Proportions create strength. Angles unleash momentum, regulating principles that ensure nourishment is available to all; the universe bears life according to a pattern. As we have always existed within this universe, we recognize it intuitively, feel safe and secure within it.
Every encounter with this pattern is a primeval moment, bringing joy. Regardless of background and experience, all humans light up when they see, hear or feel something beautiful. Neurologists have located the area of the brain that perceives beauty: it is in the frontal lobe of the cerebrum, just behind the eyes, and is one of the areas that are always active when we are making decisions. Organic curves : as the light plays, the shape begins to dance. The allure of regularity: patterns create depth and catch the eye.
The poetry of momentum: the natural-looking lines of the Walter Knoll Tama Desk and the cloud of silk on the right were formed with a flick of the wrist. This means: beauty is never merely beautiful.
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Beauty helps our perception. It helps us to master life, to reduce complexity. Beauty makes sense.
Something beautiful creates trust, it signals truth, goodness and kindness: even as babies, we look at beautiful faces for longer. And so, in human creations — in paintings, design, houses and fashion — we also celebrate the eternal aesthetic formula. Le Corbusier used the golden ratio and the dimensions of the human body for his modulor, a system of proportions for furniture and buildings on a human scale.
Then there is Max Bill, Bauhaus scholar, architect and designer: his minimalistic clock designs are still effective today. His graphic prints, which play with loops, spirals and patterns, also have a timeless beauty. And yet — however secure we feel in the mathematics of beauty — we need small aberrations.
All life also shows itself to be continually chaotic, wild, full of anomalies. Perfectly symmetrical faces are irritating, appear inauthentic and inspire mistrust. Small flaws need to be there, to lend personality — only then do we see someone as truly beautiful.
Nature always perfects the relationship between these two forces. Perfect imperfection — this also applies to Walter Knoll. For example, each marble slab of Oki Table and Joco Stone tells its own petrified version of the history of Earth. The brass-surfaced tables are also unique pieces, as the metal shows the finest traces of the polishers who gave it its last finish. This is what gives Walter Knoll products their allure — the allure of their beauty.
Balancing act: lightness grows from firm foundations, the greatest art from the most delicate work. Termite mounds in the north of Namibia, and the foot of a ballerina dancing en pointe. Bold composition: meshwork meets smooth surfaces, straight meets diagonal.